"
MR: Any track that you're closest to?
BG: I think probably the title track, 'Codes And
Keys,' is one of the songs that is very close to me. I'm very proud of
how it turned out. It's one of the lyrics on the record that I'm the
most proud of, and I think that over the course of its three or so
minutes, it kind of takes a nice little lyrical journey, so to speak. It
starts out a little nervous and ends in this very anthemic, uplifting
out-chorus of sorts. It's a song I feel very close to.
MR: I know what you mean about it feeling resolved by the end.
BG: Yeah, and it's nice to have a song that opens up
kind of nervous and you're not sure where it's going, and by the end of
it, it's solved its own question.
MR: What's the story behind that one?
BG: There's not a particular story. I think in the
past, when I've been writing songs, I've had a very specific event in
mind to such an extent that the event is referenced in the song or that a
particular song on one of the older records exists in a very specific
time and place, either in my life or in the fictitious, kind of pastiche
of life that I surround myself with. One thing that I'm kind of fond of
in a number of these songs is that I feel the details are very
specific--the emotional details and touchstones are very specific, but
the song doesn't exist within a particular event. I feel that somebody
can listen to the song and place it in their life and kind of interpret
it in a way that fits them more specifically, because the song isn't
placing itself in a particular location by referencing that location" (Mike Ragogna, "
A Conversation with Death Cab for Cutie's Ben Gibbard,"
Huffington Post, 7/18/11).
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