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MR: Your new Son Volt album,
Honky Tonk, is the band's musical follow up to
American Central Dust, right?
JF: Yes, absolutely. It's a continuation of a lot of the sound and instrumentation of
American Central Dust,
but also it's a continuum going back to the first song off the very
first record--'Windfall,' off
Trace. Basically, it's getting back to a
fiddle and steel guitar aesthetic that was very prominent on that first
song on the first record.
MR: These last couple albums feel like they have a
little more of a mission. I know you're not mimicking him and you don't 'sound' like him, but Gram Parsons comes to mind when I hear your music
lately.
JF: There's definitely an element of wanting to
acknowledge and pay homage to country music from the '50s and early
'60s. That's the type of music that I was finding inspirational. I've
been learning to play the pedal steel guitar, and I've been playing it
out in St. Louis in a local band. So I really became immersed in that
kind of music, and I've really followed the pedal steel guitar playing
of Ralph Mooney in particular. I just really got caught up in it and
sort of found myself in that mindset when it came time to write songs
for this record" (Mike Ragogna, "
Honky Tonk: Chatting with Son Volt's Jay Farrar,"
Huffington Post, 4/5/13).
View catalog record here!
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