
"It’s the pianist alone, tagging his heroes and playing some of his own music. It’s a recital, and the kind of record most serious jazz pianists get around to at some point. It’s more serious than many. … His music makes you ask important questions about what that tradition really is and who defined it. … Mr. Iyer’s piece 'Patterns' might be most representative of his own style, a journey over hill and dale over a nine-beat rhythm. And he comes closest to successfully Iyerizing an old piece of music on a version of Monk’s 'Epistrophe,' on which he builds the song’s moving harmony into his flow without breaking pace. Ellington is a different matter: On 'Black & Tan Fantasy' Mr. Iyer uses stride figures in the left hand to support solo blues choruses that move forward from Ellingtonia to post-bebop. … Across the album, rather than making his style paramount, he’s showing you that he can play in more than one way. He’s also repping for what he respects" (Ben Ratliff, "
New CDs,"
New York Times, 9/5/10).
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