Tony Bennett Sings the Ultimate American Songbook, Vol. 1
Status of copy at Case Memorial Library
Contents: Anything goes (C. Porter) — The very thought of you (R. Noble) (with B. Hackett, cornet) — The way you look tonight (J. Kern/ D. Fields) — Ev'ry time we say goodbye (C. Porter) — That old black magic (H. Arlen) (with D. Brubeck, piano; P. Desmond, alto sax; E. Wright, bass; J. Morello, drums) — A foggy day (G. & I. Gershwin) — I'll be seeing you (I. Kahal) — Ain't misbehavin' (T. Waller/ A. Razaf/ H. Brooks) — It had to be you (G. Kahn/ I. Jones) — Moonglow (W. Hudson/ E. DeLange/ I. Mills) (with k.d. lang) — She's funny that way (N. Moret/ R. Whiting) — You go to my head (J. F. Coots/ A. Gillespie) — They can't take that away from me (G. & I. Gershwin) — You'll never get away from me (J. Styne/ S. Sondheim) — Taking a chance on love (V. Duke/ J. Latouche/ T. Fetter) (with the Count Basie Orchestra).
From the insert: "'At the end of the '20s, into the '30s and '40s, there was a revolution in popular music that will never be topped. Like a renaissance period that was pure magic, it will become our classical music, and it turns out to be The Great American Songbook.' [signed] Tony Bennett"
Contents: Anything goes (C. Porter) — The very thought of you (R. Noble) (with B. Hackett, cornet) — The way you look tonight (J. Kern/ D. Fields) — Ev'ry time we say goodbye (C. Porter) — That old black magic (H. Arlen) (with D. Brubeck, piano; P. Desmond, alto sax; E. Wright, bass; J. Morello, drums) — A foggy day (G. & I. Gershwin) — I'll be seeing you (I. Kahal) — Ain't misbehavin' (T. Waller/ A. Razaf/ H. Brooks) — It had to be you (G. Kahn/ I. Jones) — Moonglow (W. Hudson/ E. DeLange/ I. Mills) (with k.d. lang) — She's funny that way (N. Moret/ R. Whiting) — You go to my head (J. F. Coots/ A. Gillespie) — They can't take that away from me (G. & I. Gershwin) — You'll never get away from me (J. Styne/ S. Sondheim) — Taking a chance on love (V. Duke/ J. Latouche/ T. Fetter) (with the Count Basie Orchestra).
From the insert: "'At the end of the '20s, into the '30s and '40s, there was a revolution in popular music that will never be topped. Like a renaissance period that was pure magic, it will become our classical music, and it turns out to be The Great American Songbook.' [signed] Tony Bennett"
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